Wednesday, September 3, 2014

Wishful Thinking

Much to my surprise (well, not really) I received a wealth of responses to my last entry about a hypothetical situation in which I fantasized about updating several EPCOT attractions, and what I believed would be the best.  And when I mean "a wealth of responses," I really mean two.  And boy were they livid.  In the past I have been critical of many things that the Walt Disney Company has done in regards to their theme parks, such as the FastPass, the look of "new" Tomorrowland, and, of course, the current state of EPCOT.
There is nothing right about any of this.
Spanning the far reaches of the Internet are those who love Disney.  There's a lot of them out there.  On Tumblr you'll see re-post upon re-post of all things Disney, ranging from pictures to inexplicable memes to bizarre GIFs, but it is all for the sake of Disney.  As much flack as it gets as a corporation, people sure do love it.  And that all stems from one simple thing: nostalgia.  We all cherish these things because we grew up with it; it was part of our childhoods, and a part of our upbringing.  Simply put, they made us who we are.  Alan Menken said in an interview for some iteration of a Beauty & The Beast DVD release that high school kids thanked him for teaching them how to sing, from watching the films that he worked for Disney.
We all owe him and his mullet some serious gratitude.
 As we grew up with Disney, we tend to love it.  And some of us love it a lot.  Now when you get past the broad spectrum of Disney, seeping below the animated classic and contemporary animated films, you'll come across another layer of Disney fandom: theme parks.  The culture of Disney Theme Parks is equally as broad as the films, but not as accessible.  Still, Disneyland sort of remains a standout figure in this: it was the first Disney theme park, and obviously cherished by those young and old.  And since it was situated in Anaheim, mere miles from Los Angeles county, everyone flocked to those gates to witness the next evolution in amusement parks.  I see more obsession over Disneyland than Disney World in some instances, mostly because it is regarded as a classic.
Although I thought the castle was always a little too small.
Below the line of theme park obsession among Disney fans is Disney World, as it pains me to say.  I believe both are equally as popular, and I prefer Disney World to Disneyland, despite growing up in California.  But Disneyland is iconic and therefore more people are inclined to favor Disneyland, although Disney World has special meaning to people on the East Coast, as it was the closest Disney Park to them, and instead of driving from Pennsylvania to California to capture some of that Disney magic, you only had to drive to Florida.  Although it could be that since I grew up in Northern California, there was no real buzz for Disney World among those living here, as it was too far.  All the buzz was for Disneyland.  But I'm sure it's a different tale when you talk to someone from New York or surrounding areas.

Now after you have the Walt Disney World fans, then you get to my level, several layers below the surface of Disney love.  There is a small handful of people out there with the undying love and appreciation and obsession of EPCOT Center.  And when I say handful, I mean maybe a couple thousand?  It's hard to pinpoint out there in the world of those who are hopelessly obsessed with EPCOT.  And when I say hopelessly obsessed, I mean watching the YouTube videos of the rides and specials aired about EPCOT Center, you collect the Figment merchandise and the Kitchen Kabaret plush dolls, and any T-Shirt that bears the EPCOT name, only if it was made before 1993.
Ain't got time for this garbage.
And beyond that layer... I guess people who are really into MGM Studios?  I'm not going to go to that level... yet.  But on the whole, I'd wager that there are not too many EPCOT Center obsessed people, in comparison to those who are obsessed with Disneyland.  And if there are, you please let me know because I am always thrilled to find people who share the same level of enthusiasm as I do.

EPCOT Center holds a special place in all of our hearts, mostly due to the fact that:
A. It looked cool, especially the thing that looked like a golf ball.
B. Figment was awesome and so were the jumping fountains.
C. You kinda learned something, but didn't really know it.

Joking aside, EPCOT Center offered us a glimpse into the future, looked back at the past in humorous and/or spectacular ways, and challenged us to be better.  And for a lot of us, the principles and ideas stuck with us, and when you went every year, you grew to love it on a level beyond comprehension.  For those who grew up with it, like growing up with Snow White & The Seven Dwarfs and Sleeping Beauty, or in the later generations with The Little Mermaid and Beauty & The Beast, it becomes part of your childhood and, in a sense, "part of your... life."
You thought I was gonna say "part of your world."
The die-hard EPCOT fans know and love EPCOT from their earliest childhood memory of the park, so it makes sense that the majority of us are obsessed with the old EPCOT (1982-1993).  My earliest memory was probably in 1989, with the Universe Of Energy.  We all have similar memories, and we remember the park as it existed 25-30 years ago.  When we see how much it has changed in the past 30 years, some argue for the worst, it obviously incites a little anger in us.  It's like seeing someone demolish that slide you loved so much as a child, and then leave the pieces behind so you have nothing, and then maybe in a few years someone will re-purpose it into something new, but it won't be the same.  That's how we all feel about EPCOT.  It's not the same as we remember it.

As we get caught up in our emotions about how things have changed there, and how it's not the same, we also have to take a step back and examine the situation as a whole.  We fantasize about what we'd like to see done to the park to make it better, we wonder what things would be like if it had never changed, we say "just revert Journey Into Imagination to its original state and reopen the Image Works," but there's more to it than just our wishful thinking.  Obviously the old EPCOT was outdated, and turning it back to its original state is not only expensive and time consuming, but also impractical in terms of guest expectations.

To many, EPCOT is just another theme park you visit on your trip.  The message it extends is sort of lost in the void, and the shift has been to entertain, and maybe you'll get a little information out of it.  Nothing as serious or heavy as the original attractions, but you still get a little something out of it.  But when you recount how many die hard fans there are (maybe a few hundred to a few thousand more than those at the D23 expos?), there simply isn't enough of us to warrant a massive change, as it pains me to say.  Although there was an overwhelming outcry after the second iteration of Journey Into Imagination came into existence in 1999, and they revamped it to include more Figment, it remains doubtful that they would revert it to its original state.

We have had a glimmer of hope in other forms that might suggest that they'd resurrect the old Journey Into Imagination, in the form of bringing back the original Enchanted Tiki Room and bringing back Captain EO, so who knows; anything could happen.  The point I'm driving at is that as much as we want all of our old rides to come back because we miss them, we are but less than a fraction of the visitors to Walt Disney World, and the majority of those who visit the park aren't really interested in something that was popular in the 80s.  As much as I'd love to see kids get excited about SMRT-1 and hum "Veggie Veggie Fruit Fruit" over and over, I looks doubtful that these things will make a comeback to today's youth.  Most guests are just there for the experience and fun and adventure, and are complacent about what they experience in the park (speaking VERY broadly, of course).  The average park guest doesn't sit around and study and obsess over Disney World.  If you're shelling out top dollar to do Disney World right, the last thing would be to know about the many different phases of Horizons or who filmed Symbiosis.  They want to just have a family vacation, and not be alienated by taking out rides that their kids were looking forward to and putting in old rides that we love.

Sadly, no one cares enough about any such thing except for a core audience of a few thousand or so, and I'm just estimating.  There could be more, there could be less.  But if EPCOT taught me anything, it's that you have to be optimistic.  And even though we'll never get the EPCOT we grew up with, we might get it in slightly different forms.  And Disney has been hinting at it for some time now.  They haven't forgotten their roots, they're just trying to make it appeal to everyone.  They've dropped little fun things like the old pavilion logos around the park, they hold expos and things for annual pass-holders.  And I believe in the future, we are going to get something that placates us all.  Just as long as they don't turn Wonders Of Life into a character meet & greet!




Wednesday, August 20, 2014

The Problems With Updating Attractions

For anyone who has visited the Walt Disney Parks in the past few decades, you notice when something changes.  How could you not?  One day you're enjoying Mr. Toad's Wild Ride, and the next time you visit, some sort of Winnie The Pooh attraction has taken its place.  For the most part, once a ride closes, it's gone for good.  Horizons, World Of Motion, Kitchen Kabaret, Symbiosis, The Living Seas, Body Wars, Cranium Command, Magic Journeys, CommuniCore, The Plaza Swan Boats...
Remember those?
I'm not done yet: Flight To The Moon, Mission To Mars, Delta Dreamflight, If You Had Wings, America The Beautiful, Magic Carpet 'Round The World, Skyway To Fantasyland, The TimeKeeper, American Journeys, Snow White's Scary Adventures, Mr. Toad's Wild Ride, 20,000 Leagues Under The Sea, Mickey Mouse Revue, Mike Fink Keelboats, Davy Crockett's Canoe Boats, and some other attractions from the Disney-MGM Studios... These are the attractions that were taken down and completely re-purposed for the intent of making a new attraction, not a refurb like Journey Into Imagination (where the characters remain but the ride has changed).
And it needs to be changed back.
When Disney ins't demolishing rides to put in some iteration of a Pixar character, they'll simply update the ride, usually with a Pixar character.  Or a semi-relevant comedian.  It is the updates that are the most irritating.  Although there is no sadder sight that the demolishing of a ride, like a volcano, it could leave nutrient-rich material in its wake, resulting in a major transformation of the land.  Of course that metaphor does not apply here because any new attraction Disney has made after demolishing a previous one is usually terrible, with a few exceptions, perhaps.
This was clearly superior than If You Had Wings.
The most heartbreaking thing is the refurbishment of a ride.  I'm not talking about going back and retouching up the animatronics or updating the sound system or whatnot, but rather the change of the feel of the ride by adding some frivolous new effect or, in Spaceship Earth's case, removing effects.
I miss the projected loop of the chariot.
I can concede that some updates make sense, to an extent.  The creation of new computer languages and user-friendly interfaces greatly ties in with the theme of the attraction, and is part of our shared history of communication.
With a Jobs-Wozniak hybrid.
And then there is this monstrosity, which provides more of a cheap, kitschy laugh rather than actually having relevance to the ride as a whole.
Silliest shit I've ever seen.
The addition of sections of rides doesn't mesh well, as you are working with two different eras.  The rides being built in 1981-1982 reflect the style and craftsmanship of that era.  Adding on this "computer era" section is jarring, as it looks too clean and sanitized.  Disney has a track record for making rides look, well, well-ridden.  They purposefully do that, as you might recall hearing it from probably every single cast member who drops that little obvious tidbit on you.
"Did you know that WED stands for Disney's initials?"
Some refurbs simply just replace a previous film, or reuse and re-edit the original film to make it more relevant.  Surprisingly Impressions De France and Spirit Of Norway have remained unchanged since its debut in 1982 and 1988, respectively, but you take a film like O Canada! and Wonders Of China, and you have an attraction that means well, but does not feel right.  Mainly because when you're working with CircleVision, it is hard to match the visual look of its predecessor.  Film stocks have improved over times, film techniques have been refined, so when they add in little screens of footage in the ride, it often does not match how it looked in 1982.  How could it?
I don't want to reflect on China, I want to wonder about China!
The newly inserted footage looks like it was shot on a Hi-8 camera.  It's awful, and it is shocking because Disney prides themselves on breaking new boundaries in the art of film.  They essentially dominated the large-format film production at the time with Magic Journeys and CircleVision and shooting pretty much everything in 70mm, but not no more.  And it's not too long until Maelstrom gets a face-lift to accommodate the many characters from Frozen.  We all know it's coming, and unless the Norwegian government says otherwise (I hope they do) Disney will most likely milk that cow until the end of time.  Picture it now, riding in a boat with "Let It Go" on a constant loop as you ride backwards (after Elsa casts a spell or some stupid shit).  Someone has already thought it up already.
For the love God please do not get rid of this amazing mural.
Updating rides to cash in on Disney popular culture is inherently a bad idea.  It looks cheap, and tacky.  We all saw it in action with The Seas with Nemo.  And while we can't have our favorite rides be resurrected (and we all wish it were so), a new concept needs to be implemented.  EPCOT Center began as a showcase of new ideas and technologies, and cultures from around the world.  We have seen it devolve into cheap tie-ins and an excuse to get obliterated on alcohol and junk food.  As we long for a return for the original, it is not totally abhorrent to consider updating the attractions once more.  Since they have all bottomed out and become totally awful, there is no place to go but up (I hope).  So now, I present a logical update to the current rides at EPCOT, and how they could be changed into something new and better, without completely changing the ride design (because we all know they are not gonna knock down another building and start from the ground up, or would they?) but keeping with the theme of EPCOT, as being a permanent world's fair showcasing the new ideas and industries of America.

SPACESHIP EARTH
If they could, find a replacement for Judi Dench.  It's too peppy; she reads like she's reading Mother Goose to a group of infants.  I like my Spaceship Earth narrations with a very serious tone.  Jeremy Irons did this perfectly.  Alan Rickman can match that.  So can Patrick Stewart or Ian McKellan.
It's a stretch, but he can make it work.
Essentially, a deep,  powerful British voice.  And omit the bastardized version of what Horizons already nailed nearly three decades ago, the choose your own future.  I get it, it's fun and interactive, and you get a cheap laugh at the end.  Instead, give us the closing narration, wrapping up the themes of Spaceship Earth and what the future holds.  Maybe throw in an uplifting song.

INNOVENTIONS
This is an area I couldn't care less about.  I guess just have exhibits that are pertinent to current events, maybe a tie-in with other attractions that touch on topics relevant to us, not just video games or things designed for toddlers.
Dump your hyperactive kids here.

ELLEN'S ENERGY ADVENTURE
If there ever was a need to update an attraction, this one is it.  It is the only ride in Future World that has not been changed since the 90s.  Everything else has gone through a refurb fairly recently, at least in the past 15 years.  Now there was this weird anomaly when Ellen came back in the celebrity spotlight in recent years, so it seems that they're gonna hold onto her for a hot minute.  I remember an Ellen-less time between the Ellen Show on ABC in the 90s and the Ellen talk show on whatever network that airs on.  At one time she was irrelevant, and that would have been a good time to change the ride.  Now as much as I love Bill Nye, he seems to have retired his "Science Guy" persona.  And while we all loved his show on PBS, it is time to breath some life into this attraction.  And this is the man to do it:
The ultimate badass.
Neil deGrasse Tyson has already become this sort of unlikely icon, and he's also brilliant as shit.  You can take out the comedic foils of Ellen DeGeneres and others, and put in a thought-provoking journey into the past, explore the present, and embrace the future of energy.  And his personality suits the ride perfectly.  He makes it entertaining through his amazing articulation and vast knowledge of this "Universe Of Energy."

MISSION: SPACE
This is a ride that you can't really change to much to.  You can add in some information about what it's like in space, like weightlessness and such, maybe omit the danger element of the asteroids that seemed to cluster only a few feet from each other around the orbit of Mars.  It could be more of a training mission than an actual mission, and teach you more about space travel, not just hit a button, fall asleep and have the computer do all the piloting for you.

TEST TRACK
Strangely enough, this ride doesn't need a lot of changing.  They included aspects of what companies look for when developing a car, but I guess they could include more information on efficiency and being more "green," I suppose.

JOURNEY INTO IMAGINATION WITH FIGMENT
It's hard to update this, because it really needs a major overhaul.  There is no saving grace to this ride.  No new innovations, nothing to make me want to ride it again.  But since the ride track layout seems to be fairly similar (similar in that it's an omni-mover), just omit Eric Idle, damn the rights issue and bring back Dreamfinder (whatever the rumor is now).  Since Billy Bartry has passed on, Dave Goelz will have to do.  Or just recycle his voice from the old ride, I don't know, just make it happen.  And make the ride about the wonders and limitlessness of ones imagination.

THE LAND
First off: get Soarin' out of there.  It has no business in there.  You're Soarin' over California, yet you're in Florida.  Why not make it Soarin' Over Florida?  Because that's a terrible idea.  This is what needs to happen: put Soarin' between the UK and Canada, where the Millennium Village used to be, and re-theme it for the World Showcase.  Have it be, Soarin' Around The World.  The cost of something like that wouldn't be as expensive as you think.  Just get the permits to fly to select spots around the world with your large format camera, and that's all there is to it.  Maybe reprogram the ride vehicles' hydraulics to correspond with the new film.
Secondly, The Circle Of Life with the Lion King is painfully outdated.  Talk about an attraction that hasn't been updated since the 90s.  The Lion King is not as relevant as we'd like it to be, so there should be a new film discussing man's impact on nature, in the vein of Symbiosis, but can tackle things like climate change and GMOs and other things that they weren't too worried about in 1982 and then in 1994.  There are so many pertinent things going on in this world regarding "The Land," you'd think they'd say more about it.  And don't have an animated character host it.  Have a real person, or at least a narrator.
Thirdly, Living With The Land needs more things.  More concepts.  Bring back the spinning drum or something.  Make us excited about new ways to grow crops, and not just growing them in the shape of a Disney character!
Hidden Mickeys also need to go.
Fourthly, bring back a nutritional musical revue.  NO song parodies.  At the very least I will tolerate song style parodies.

THE SEAS WITH NEMO
This is a no-brainer.  Take out Nemo.  Get us excited about marine biology and oceanography.  There's a lot we don't know about our oceans.  Let's explore that!  Do whatever repairs you need to, like fixing the tank, and put some more marine life in there.  It's depressing to see the fish and sharks.  I remember when they used to have divers play with dolphins.  It was well documented in a series of ABC shows that just happened to find themselves in Disney World.

And for the world showcase films... well, either re-film them in HD (we have the technology) or restore them to their original state.  It's funny, but when you watch Impressions De France or Wonders Of China, they don't look dated.  The people and the settings look the same as they did in 1982, oddly enough.

Sunday, August 17, 2014

The Universe Of Energy Scripts

Painstakingly transcribed by yours truly, it is my best attempt at capturing the wonderful words spoken by Vic Perrin.  I hope you enjoy.

UNIVERSE OF ENERGY
Part I: The Kinetic Mosaic
The universe we know is one of dynamic forces.  Its heartbeat, sending a constant flow of energy coursing through the vastness.  This energy is never destroyed, nor is new energy created.  But energy is perceived in different forms.  Within the atoms of all matter is, on a level most infinitesimal yet most powerful, is nuclear energy.  Binding atoms into molecules and crystals, and stored in the cells of all living things is chemical energy.  In the sudden flow of electrons, there is electrical energy.  In the world around us there is constant motion, and in this motion, there is mechanical energy.  Unleashed in the motion of molecules themselves is heat energy.  Finally, washing over the Earth in an all pervasive, never ending flood, is light energy.  We long observe with fascination the interplay of these elemental forms of energy, noting that certain forms often changed into others.  Then through the genius of the human mind came the realization that energy could be harnessed, and made to work for us.  Energy locked in Earth’s vast forests was put to use.  Fire became both friend and tool.  The unbridled winds were captured.  The flows of mighty rivers were tapped.  For centuries, we depended on these three resources alone.  Then, only a little while ago, we learned to use the energy locked in fossil fuels: in coal, in oil and natural gas.  The energy from these fuels has dramatically advanced civilization.  Sooner or later, present resources will not be sufficient for the world’s energy needs.  Only by understanding energy in its various forms, the universe of energy, can we build a transition to a better tomorrow.
Listen and you'll hear the heartbeat,
of a universe teeming with force.
See all the forms and the faces,
of nature taking its course.

And feel all the wonderful motion,
flowing through things far and near.
Nature will share her secrets,
when we are ready to hear.

Energy, these are a few of your faces,
glowing in timeless places.
Bringing our lives new graces.

Energy, there is no living without you,
we must keep learning about you.
Now is the time to find how to.

Energy, you are profound,
you make the world go 'round and 'round.
You make the world go 'round.
You make the world go 'round.
You make the world go 'round.

UNIVERSE OF ENERGY
Part II: Energy Creation Story

Sunlight, the original source of energy in all fossil fuels.  Its radiance, falling upon the seas of Earth, yet rise to the first stirrings of life.  Myriads of creatures evolve, feeding upon plants and each other; capturing the sun’s energy for themselves.  As death comes, there begins a ceaseless silence snowfall of organic matter, drifting downwards with other sediments, accumulating layer after layer upon the ocean floor.  Finally, time, heat, and pressure transform the sediments into shale, entombing countless remains of marine life.  Eons of time pass, the shale buried still more deeply, and its organic matter transformed into oil and gas.  These fossil fuels then begin to creep into surrounding lies of more permeable rock.  The endless wrenching of the Earth’s crust causes these strata to be folded and broken, sometimes trapping oil and gas in porous rock.  On the surface, vast new forms of plant life take root.  As sunlight floods the lush primeval forests, every plant and tree captures this energy.  Leading this cycle of life, these living things, too, wither and fall.  In marshy areas, the decaying limbs and leaves forms a spongy mass of peat.  For near endless millennia the process continues, until marshes and swamps finally disappear, sinking deeper under cover of mud and sand.  Once again, heat, pressure and time work a remarkable transformation: the peat turns into coal.  The formation of fossil fuels occurred over a span of millions upon millions of years.  Much of the Earth’s present supply was deposited during the primeval era, when great reptiles roamed the land.  Come with us now, and experience a few moments in that dark and mysterious place.

UNIVERSE OF ENERGY
Part III: Energy Information Center

Welcome back folks, to the 20th Century.  As you have seen, the Mesozoic era was a time of violent geologic activity.  For a hundred million years, the Earth was formed from natural forces.  Vast amounts of organic material were trapped deep inside the Earth.  And over millions of years it was transformed into the fossil fuels we use today.  These monitors behind the operating console show current and future energy resources around the world.  Among them are fossil fuels, nuclear, hydroelectric, geothermal, wind, and solar.  Your traveling theater vehicles are partially powered by the sun.  The solar cells on this building’s roof help recharge batteries in the vehicles when they’re stopped.  Computers guide the vehicles along a wire that is just an eighth of an inch thick.  The maps highlight locations that we’ll visit during the next part of our journey.  We’ll travel from the Alaskan frontier, to the North Sea, to the Mid East.  We’ll explore potential energy sources for the near and distant future.  Now that you’ve experienced the dramatic forces that created today’s fossil fuels, let’s continue our journey through the Universe of Energy.

Technician 1: Increase mirrors to 100% tracking.
Technician 2: Roger, going on in four steps.
Technician 1: Moving to four.
Technician 2: What’s our expected output?
Technician 1: We’ll have ten megawatts here.
It’s out there, everywhere.  Much of the time, pouring down on us like an endless rain.  Sometime in the next century, its immense power can be economically harnessed, and sunlight itself will be the real keys to the Universe of Energy.

But today, a far different form of energy is coming from sun-parched regions of the globe, like the Middle East.  Stretching across the hot desert sands, massive pipelines carry petroleum to the edge of the sea.  It is a supply that is not inexhaustible, however.  But the global demand for energy, all kinds of energy, continues to increase.

Most countries must depend on the uncertainties of imported oil, until the big breakthroughs finally happen.

But the world can’t simply park its cars or turn off its lights until that day.  We must continue to conserve and extend today’s energy sources, and develop a broad mix of alternatives for the future.  Already current supplies are being stretched through the use of heat sensing monitors, and other new systems which helps increase energy conservation.

At the same time, special oil recovery techniques are helping to bring older fields back to life.

Even so, the world is continuing to diminish today’s known reserves.  The energy search must go on to help us bridge to the future.  Out in space, eye in the sky satellites scan the face of the earth, helping to find new oil and gas deposits.

On land, seismic crews record echoes to pinpoint new locations.

The best hopes for finding major new supplies often lie in some of the world’s most remote environments, sometimes miles below the ocean floor.  On land, these great drilling platforms would dwarf all of the world’s tallest buildings.  In the ocean, they function as complex, massive island communities, surviving often treacherous waters, like the chilling, wind-swept North Sea.  The deep water search is now pushing still deeper.  Here, a new breed of remote control ocean floor units cab bring up oil and gas, once inaccessible to us.

The job of transporting fossil fuels has its own challenges.  Near the top of the world at Prudhoe Bay, Alaska, is the largest oil field in North America.  The trans-Alaska pipeline begins here: a nine million dollar energy highway, stretching 800 miles over and under the rugged frontier.  About one and one-half million barrels of crude oil arrive here everyday, enough to meet the petroleum needs of nearly seven million households.  But even as these frontiers are explored, new technologies are being developed, that one day, may economically provide energy in the form of synthetic gas and liquids.

Synthetic oil is already being produced from these vast Canadian tar sands.

Oil shale: the rock that burns.  Located in the Western United States, it is one of the greatest synfuel resources of all.  Mined, crushed, and heated, it could yield millions of barrels of liquid energy.

Smaller quantities of synfuel may be derived from a pesky, river clogging weed, the water hyacinth, along with grains, recycled wastes, and other biomass resources.

Coal, perhaps the most abundant of fossil fuels.  It is mined primarily to generate electricity, the growing demand for the years ahead.  And one day, it too may yield large amounts of synthetic oil and gas.  Over one-fourth of the world’s coal is located in the United States; that’s energy-equivalent to more than twice the Middle East oil supply.  Sometimes, coal is hidden deep in the Earth.  Other times, it lies near the surface.  Here, the overlying soil and rock must first be removed to reveal the coal deposits below.  Then, it is replaced and replanted; a massive reclamation project to help bring the land back to life.  Another environmental demand on coal is also important.  While some is clean burning, some requires precipitators and other new technologies, costly but necessary systems designed to reduce emissions to harmless water vapor.  Other sources, even small ones, may also help meet tomorrow’s growing demand for electricity.

From the Earth’s great underground cauldron: the power of geothermal steam.

From the wind: age-old power to drive the windmills of tomorrow.

From the restless sea, power from driving waves, tides, and changing temperatures, and from the awesome force of moving and falling water: hydroelectric power.

Nuclear energy: controversial, but still a significant source of electricity.  Chicago, for example, gets more than half its electric power from nuclear plants.  And around the world, France, Germany, Japan, and many other nations are continuing to develop nuclear power as part of their energy bridge to the future.

Some countries are also moving ahead with a new process: the Breeder reactor, which actually creates more fuel than it operates.

Within two decades, nuclear energy will probably contribute about a fourth of the world’s electricity.

Unlimited electric power for tomorrow; is it a fantasy?  A pipe-dream?

Scientists at Princeton and other research centers don’t think so, as they inch towards the process of the stars: nuclear fusion.  The challenge: to fuse hydrogen isotopes at temperatures exceeding 180 million degrees.  The potential exists for a real breakthrough, to one day harness this inexhaustible, new energy source.

From the sun itself comes another potential for the future, solar energy.

Solar heating and cooling are already in limited use.  By the next century, research will hopefully lower the cost of converting sunlight directly into electricity.

EPCOT’s Energy pavilion provides a showcase for today’s solar technology.  80,000 photo-voltaic cells have been installed on the roof.  When exposed to sunlight, they generate electric current to help power your traveling theater cars.  So, in a sense, you’ve been riding on sunshine throughout our show.

In our ever changing world, the road to tomorrow’s energy is indeed long, complex, and challenging.

It demands the development and wise use of today’s energy resources.  It calls for practical and affordable new sources for tomorrow.  And it will require the combined efforts of science, industry, government, and the public.  Then we will indeed bridge to the future, to a world which one day may harness the entire universe of energy.

Feel the flow, here we go,
through the Universe of Energy.
Feel it grow, see it glow,
it's the Universe of Energy.

Come through time, set the course.
Sail the wind, tap the source.
From the sea, to the skies,
there's a force beyond our eyes.

Feel the flow, here we go,
through the Universe of Energy.
Feel it grow, see it glow,
it's the Universe of Energy.

Cross the bridge, future bound.
There's a flame, all around.
From the sea, to the skies,
there's a force beyond our eyes.

Feel the flow, here we go,
through the Universe,
the Universe,
the Universe,
Of Energy.
Of Energy.


Disney Channel Magazine (Premiere Issue)